Things we do


- Work with feature filmmakers to find homes for their finished stories all around the world.

- Develop and produce content across formats and genres - short-form, long-form, podcast + multiplatform.


The pseudo-science version:

The ‘theoretical and methodological study of love via its psychology, related social sciences, history and historical analysis, philosophy, world religions and theology - the systemic search into revealing the nature and dynamics of love in all of its various forms and aspects. It is also the body of knowledge, theory and information into the nature and dynamics of the phenomenon known as love.

The simple version? The belief that every great story is a love story.

Love of others + self. Love of home, lost and found, built and yearned for.

Love of country, of body, of mind, of spirit, of soul. Love of land and sea and love of all that is conjured in the spaces in between. 

Love, that has shaped what has been, and love, that calls forth what it is that could be: this multifaceted love works its way into the nooks and crannies of the stories we look to in order to define ourselves. To find out what we’re named.

We are all about the curious revelation of love in all of its forms, taking up its unyielding and unruly space.

Danielle Redford

Danielle Redford is a creative producer who’s also worked in the Australian distribution industry since 2011. In 2020, Danielle was named a Screen Producers Association of Australia 2020 Ones To Watch.

Current projects in the audio landscape include Audible Original Podcast Winding Road, starring Dacre Montgomery, Yael Stone, Noni Hazlehurst, David Berry and Bernard Fanning (Loveology Films and Broken Head Productions, 2020); Audible Original Podcast Beyond Strange Lands (Loveology Films, 2020); Audible Original Podcast The Orchard (Princess Pictures, 2021) and Audible Original Podcast Wentworth: The Fall Girl (Fremantle Media, 2021).

Screen projects include My Body Says (Mama Bear Productions, 2020), a digital documentary series for ABC and ABC iView which Danielle co-produced, The Lead (Broken Head Productions and Loveology Films) with development investment from Stan and Screen Queensland, Pathological (Broken Head Productions and Loveology Films) which received development investment via the Bradford Winters Series Lab with Screen Queensland, short film Liquid Moonlight (Loveology Films, 2020) which premiered at Flickerfest 2021, episodic long-form project Immaculate, shortlisted for the Screen Queensland/Stan Premium Development Fund in 2020, with further development underway across episodic long-form dramas Outback Angels, Guinea Pig Girls and The 27 Club.

Short films include The Neon King (2016 Cannes Film Festival Short Film Corner, Byron Bay Film Festival Young Filmmaker winner) and And The Winner Is (Screamfest 2018, an SQ Original), as well as virtual production project Decommissioned (Perception Pictures, 2021) supported by Epic Games and Screen Queensland.

Danielle’s work under Loveology Films sees her partnering with Australian filmmakers to create global distribution opportunities,  as well as developing a slate of projects across short-form and long-form screen and audio formats. She lectures in the areas of Creative Producing, Screen Producing and Screen Distribution at the Griffith Film School, from which she holds a Bachelor of Film and Screen Media.